From the ancient reaches of Asia tread the whale-road in the dragon-prowed ships north to the snowy lands beneath the Aurora Borealis. Take a seat in the warm banquet halls of the children of Odin, and quaff a bowl of golden mead as you hearken to a chill winter’s tale sung by a gifted skald:
Beneath the third root of Yggdrasil the Cosmic Ash Tree, where the great serpent Nidhogg nibbles both the ash’s roots and dead men’s flesh, lies deep, dark, cold Niflheim, realm of mist and shadows, the abode of those unlucky enough not to have died in battle or at sea.
Nine pitch-black nights as the crow flies across its trackless wastes, upon Nastrond, the ghastly Shore of Corpses, flows the Gjoll or Wailing River where sharp, glinting knives tumble dangerously in the freezing cold currents. Only the Gjoll Bridge, gleamingly thatched in pure gold, offers a safe way across past its sturdy maiden guard Modgudr – but under the slightest step of living foot, the entire span rings with the tramp of a thousand soldiers.
On the other side of the Gjoll the Hel-Way, road to the home of the inglorious dead, winds toward Drop to Destruction, a sheer cliff looming out of the mists over the darkling plain. A great castle squats behind a high wall atop the frowning rock, and in the wall is set a single, terrible gate. Chained by an inky cave nearby sits the monstrous dog Garmr, his neck and massive chest dripping with blood, to make sure only the dead pass through Nagrind the Corpse Gate and over the Pit of Stumbling into dread Eliudnir, Sleet-Cold Hall.
Inside, the snake-spine rafters drip acrid, acid poison onto the heads of the castle’s shadowy, spectral captives, who slog endlessly through the streams of smoking venom and reeking blood running over the gray floors. Those unlucky enough to succumb to disease, accident, murder, or plain old age reluctantly rub elbows with liars, perjurers, oath-breakers, adulterers, and murderers on an endless round of torment. No mead here but only goat’s urine for the thirsty; the dragon Nidhogg, however, finds plenty of blood to drink from the veins of the condemned.
What nightmarish being stirs from her bed Disease draped with Gleaming Anguish? In the eternal gloom her grim, fierce face can appear as fair as her father’s, that of trickster god Loki; others whisper ‘tis the visage of a hag, like her giantess mother Angrboda. At any rate, a pink-skinned, living woman from the waist up – but below, the mottled, greenish-blue-black, rotting thighs and legs of a cadaver appear.
Her male and female slaves Ganglati (“Idler”) and Ganglot (“Sloven”) respectively move so slowly they appear not to move at all, but they serve her with her plate Hunger and knife Famine. The mistress of Niflheim endures a routine no less numbing than her wretched subjects, as much a prisoner in this awful place as they. For she did not choose this lot, this terrible burden of ruling the inglorious dead.
When the Allfather Odin found out that giant-blooded Loki had begat such powerful beings as she and her two older brothers, he had them kidnapped from their mother’s home and cast far far away from his band of bright gods. They chained the Fenris Wolf deep below the earth; sank the snake Jormungandr in the blackness at the bottom of the sea; and exiled her, Hel the Hider, to live here amongst the chill, shadowy mists forever. She does not even have the luxury of turning away any who reach the Corpse Gate – but once she did have revenge, of sorts, on the shining souls in Asgard.
Beautiful boy-god Baldr had recurring dreams of an unutterable doom and to stave it off, his mother Frigg got every object on earth to promise not to hurt him. She grew so sure of his safety, however, that she invited every god to try to harm him to show off his invulnerability, not knowing that she had revealed to the disguised Loki that only the humble young mistletoe had not taken the oath – because Frigg never bothered to ask it.
Jealous Loki plucked a sprig of mistletoe, whittled it into a dart, and convincing blind god Hodr to let him put it in his hand and guide his toss, killed the handsome young deity of innocence where he stood laughing at the hitherto-unsuccessful attempts on his life. Pure and beloved as he was, Baldr had not died on the battlefield or on the storm-tossed seas but most treacherously assassinated; he now belonged to the pale half-corpse Queen of Niflheim.
Desperate, Frigg sent Baldr’s brother Hermodr to the world of darkness to beg for her favorite son’s release. On his father Odin’s eight-legged horse Sleipnir, the would-be rescuer rode through the icy fogs to the blade-bristling Gjoll, over Modgudr’s bridge, and down the Hel-Way to foreboding Eliudnir. Its mistress greeted him graciously and let him visit with Baldr, whom she treated as an honored guest rather than a disgraced captive, but she had no intention of letting him slip through her chill fingers that easily.
If the world of sunlight truly missed the beautiful youth that much, then everyone and everything both animate and inanimate would shed tears for their loss – and she would return him to the golden halls of Asgard.
Despite the fact that a similar condition had failed so spectacularly before, Baldr’s mother and the other aesir or gods reduced all of creation to weeping on his behalf – except for a mean, cave-dwelling giantess named Thokk, who adamantly refused to squeeze so much as a single drop from her glower. Convinced she was actually Loki masquerading once more, the aesir persecuted and finally punished him with extreme cruelty – but nothing could ever bring the god of joy and peace back again. Hel keeps her precious prisoner – for now.
Even her sinister siblings’ imprisonment will not last eternally, for the Wolf will one day burst his bonds and swallow the sun, and the Serpent will rise flinging the ocean over the land. On the tempestuous seas, the Queen of the Damned’s phantom ship Naglfar, built from the parings of dead men’s nails, will slip its moorings and sail on Asgard. The Corpse Gate will fly open, disgorging Sleet-Cold’s denizens for a final great battle against the heroes who died in combat and went to Valhalla in Asgard instead. Loki will escape his torture chamber and march against his tormentors as the fire giant Surtr.
Ragnarok, the Twilight of the Gods, will end this world in darkness, and blood, and devouring fire – only to give way to the fresh, new world that will arise from the destruction. For Eliudnir will finally release Baldr the Beautiful, but to rule over this green earth of peace and plenty.
In the meantime, Niflheim waits, and continues to welcome as many, if not more, dead than Valhalla and the ocean.
Cold in your bones? Then warm them with more honeyed mead - and drink to a glorious death in battle or at sea!
Sources: http://en.wikipedia.org/wiki/Hel_(being)
http://www.pantheon.org/articles/h/hel.html
http://www.deliriumsrealm.com/delirium/articleview.asp?Post=147
http://www.britannica.com/eb/article-9039864/Hel
http://goddessofthe8thhouse.com/dar_hel5.htm
http://www.northvegr.org/lore/pdf/prose_brodeur.pdf, specifically the “Gylfaginning”

And if one of my fellow mods would kindly upload to Flickr and insert this pic for me (I can’t get in!), this post might have a visual aid as well.
Happy Halloween, GifSters!
Eve…tis done.
Now to go get a cup of coffee and read your post. I’ve been looking forward to this!
Eve - lovely, lovely post.
Hmmm…that sounds achingly familiar…where have I seen/heard/read this before, I wonder?
“Ah ah-aaaaahh ah!
We come from the land of the ice and snow,
From the midnight sun where the hot springs blow.
The hammer of the gods, will drive our ships to new lands,
To fight the horde, singing and crying: ‘Valhalla, I am coming!’
On we sweep with threshing oar, Our only goal will be the western shore.
Ah, ah,
We come from the land of the ice and snow,
From the midnight sun where the hot springs blow.
How soft your fields so green, can whisper tales of gore,
Of how we calmed the tides of war. We are your overlords.
On we sweep with threshing oar, Our only goal will be the western shore.
So now you’d better stop and rebuild all your ruins,
For peace and trust can win the day despite of all your losing.”
Skraelings! Skraelings! Everywhere I look, Skraelings!
Vinland the Good, I dream of the Ice, snug in my Bear Shirt.
Even her sinister siblings’ imprisonment will not last eternally, for the Wolf will one day burst his bonds and swallow the sun, and the Serpent will rise flinging the ocean over the land.
Love how every mythology has its own version of the “end of times” prophecy. Humans have always known that life and the world will not last forever, and are quite creative and interesting in their representations of things they have absolutely no control over which will inevitably happen in the future. And these stories always reflect a hopeful wish that life will magically go on after their demise.
Good post, Eve.
HARR!…Excellent post (as usual), Eve…
And RDZ’s comment reminds me of my (Swedish/Irish) Viking roots…(sips some wolf blood)
[OK…I lie…actually; akin to Stardust’s #2 reference…it’s really only black coffee.]
And, indeed…Happy Halloween, fellow GifSters!

What!…Another (annually “ACCEPTABLE”) day to Trick or Treat our fellow earthlings?
“Bwa-ha-ha-ha-ha-ha-ha…HARR”?
(Yeah…you’re right!…
I’m being very silly…as per usual!)
And here I thought it was from Led Zeppelin II
Feliz Dia de las Brujas, GifSters! Glad you’re enjoying my little tip of the horned helmet (yes, I know they didn’t really wear horned helmets) to Halloween and the lady and place who gave English its word for “everlasting torture and horror for every and anyone who doesn’t believe exactly the way we do.”
Many thanks for the pic, Star! A post just isn’t complete for me without an image.
RDZ, that song kept running through my head (well, the ah-ah-aaah-ah part, anyway) while I was writing this, so I just knew someone would reference it, and you were my best bet!
KA, some scholars believe that the part about a new earth rising after Ragnarok under Baldr’s benign rule could be a later addition to the mythology courtesy of the xian conversion of Scandinavia. Most of our best sources for the most well-known versions of these stories are from the 11- and 1200s CE, after xianity had been established as far as Iceland. Norse pagans seem to have been distinctly fatalistic and the concept of the world, gods, people, and everything just coming to an end, period, fits that picture we have so far of them better than the feel-good new earth consolation.
By the way, for extra points: notice that the glorious dead were those who died in battle or at sea. Warriors who were casualties of war were brought to Valhalla in Asgard, roughly the Norse version of heaven, by the Valkyries, Odin’s warrior maidens - but what happened to sailors and those drowned at sea?
I come a bit late, but this post with a cup of hot cocoa: delicious!
So, in this mythology, you are condemned to Hell unless you die in war or at sea? That is kind of tough, even for a religion.
Extra-credit answer: Those who died at sea were said to have been trapped in the sea goddess’ Ran’s magical net and dragged down to her palace underwater, where apparently she treated them quite well. I couldn’t find a reference as to what happened to them at Ragnarok; did they join the heroes of Valhalla or simply hang out in her submarine kingdom until Baldr established his new Eden?
Glad you liked it, Zipi!
I guess a basically warrior and seafaring culture (at least throughout part of its history; I’m a little vague on the full development of the Norse peoples) would value those kinds of deaths more than your average, ordinary citizen’s passing.
However, some scholars think that in the oldest mythology, all the dead, no matter how they died, simply went to the land of Hel, which sounded like the sort of neutral but boring afterlife the Greeks first envisioned for Hades, with no particular deity ruling it and not much to do while there. They point to the similarities between Ragnarok and the xian Apocalypse as indications that the latter influenced original myths of afterlife punishment and the end of the world.
Since most of what we know about Norse mythology comes from the xian era in Scandinavian history, they could be right…